21 February 2019
In Milan the exhibition of Antonello da Messina
From 21 February to 2 June 2019 at the Palazzo Reale
Like so many great artists, Antonello da Messina (1430-1479) left only a handful of extraordinary works that managed to escape tragic natural events like floods, earthquakes, seaquakes, and the neglect and ignorance of humans. The surviving works are dispersed in various collections and museums in Italy, in Britain, and in Ameria; many have undergone heavy restorations that have permanently altered their original appearance, others have reached miraculously intact.
The exhibition, which will run from 21 February to 2 June 2019 at the Palazzo Reale, Milan, is the result of a collaboration between the Region of Sicily and the City of Milan; produced by Palazzo Reale and MondoMostre Skira, it is one of the key cultural events of 2019, both nationally and internationally. A unique occasion to enter the world of the greatest portraitist of the 15th century, an outstanding painter who left a lasting imprint on Italian art.
The exhibition will display nineteen of Antonello’s 35 autograph works: they include the Virgin Annunciate (c. 1475), a true icon and distillation of Antonello’s art, one of the supreme masterpieces of the Quattrocento, with its highly moving portrayal of the Virgin, with her gaze and gesture responding to a mysterious presence beyond the picture plane; the elegant figures of St Augustine (1472-1473), St Jerome (1472-1473) and St Gregory (1470-1475), possibly part of the Polyptych of the Doctors of the Church (all from Palazzo Abatellis di Palermo); as well as the celebrated Portrait of a Man (1465-1476) with an enigmatic smile traditionally known as the “unknown sailor” that was originally used as a cupboard door and restored on several occasions (Fondazione Culturale Mandralisca di Cefalù).
"Thanks to our collaboration with numerous Italian and international institutions, we have brought together nineteen works by Antonello da Messina that will be on show for the first time ever in Milan in a historic exhibition that will give the general public the opportunity to get to know the fascinating story of an innovative artist who has lost none of his charisma in the intervening centuries", says Filippo Del Corno, councillor for the arts and culture.
Also on display is St Jerome in his Study (1474-1475), a painting mingling classic inspiration with Flemish details (National Gallery, London); the Crucifixion (c. 1460), a work first attributed to Antonello by Karl Voll in 1902 and then by Bernard Berenson in 1932 (Mezeul National Brukenthal, Romania); the Portrait of a Young Gentleman (1474) (Philadelphia Museum of Art); the enchanting Madonna and Child (c. 1475) (National Gallery of Washington), and the Portrait of a Young Man (1478) (Staatliche Museen, Berlin).
This section on the great Master ends with the lovely Madonna and Child (1480) from the Accademia Carrara at Bergamo, painted by Antonello’s son Jacobello di Antonello in the year after his father’s death: in his unusual signature, a moving display of filial devotion, he describes himself as the son of a “painter who was not human”, in other words, divine. Jacobello, who was employed in his father’s workshop, completed the works left unfinished at his father’s death.
A truly fascinating and unique exhibition that will allow visitors to admire the profound psychological introspection revealed by the faces of these quintessentially Italian men and women portrayed by the great artist, and the technical virtuosity of the multilayered applications of paint and pigment mixtures that Antonello learned from contemporary Flemish painters, adapting the technique and mingling it with Venetian influences to develop his own unmistakeable and exquistely beautiful Mediterranean manner of painting.
The next section seeks to reconstruct the history of the San Cassiano altarpiece, one of the cornerstones of Italian art. Also on display is a 19th-century work dedicated to the myth of Antonello; Roberto Venturi’s Giovanni Bellini Spies on Antonello to Discover the Secrets of Oil Painting (1870: Pinacoteca di Brera) normally hangs in the Court of Milan and has been restored especially for this exhibition.
This exhibition has an exceptional guide in the great art historian Giovan Battista Cavalcaselle whose notebooks and drawings will offer visitors valuable insight into Antonello da Messina, one of the fathers of Western art. Thanks to an extraordinary collaboration with the Biblioteca Nazionale Marciana, Venice, the exhibition displays 19 wonderful drawings (7 notebooks and 12 sheets including folios) by Giovan Battista Cavalcaselle who was responsible for painstakingly reconstructing the first catalogue of Antonello’s work.
The exhibition also focuses on the artist’s relationship with his home town and the few documentary traces of the great Sicilian painter’s life that have survived the many tragic natural events, earthquakes in particular. Following in Cavalcaselle’s footsteps was a redoubtable Messinese scholar, Gaetano La Corte Cailler, who uncovered and transcribed notarial documents revealing details of the events in the life of the painter’s family: his grandmother’s will, the return of the painter’s family from Calabria by brigantine, his daughter’s dowry, and lastly Antonello’s own will dated February 1479. Nothing else remains of him: a flood washed away his bones in an old cemetery and a series of earthquakes destroyed various archives in Noto and in other Sicilian towns. Old Messina was destroyed and rebuilt in 1783 before being definitively devastated at 5.21 am, Monday 28 December, 1908 by an earthquake with a Mercalli intensity of X followed by a tsunami, a catastrophe for this Sicilian city.
An exhibition of this scope and importance demands an equally unique book taking the form of an exhibition catalogue published by Skira with reproductions of all the surviving autograph works by Antonello da Messina; an art-historical section with essays by Giovanni Carlo Federico Villa, Renzo Villa, Gioacchino Barbera, and by five writers: Roberto Alajmo, Nicola Gardini, Jumpa Lahiri, Giorgio Montefoschi, and Elisabetta Rasy. The book is completed by a Biography and Annotated Bibliography.
Antonello da Messina. In Milan, Palazzo Reale, Piazza Duomo 12. Date: from 21 February to 2 June 2019. Opening hours: Monday 14.30-19.30 (9.00-14.30 reserved for schools); Tuesday, Wednesday, Friday and Sunday 9.30-19.30; Thursday and Saturday 9.30am-10.30pm; last entry one hour before closing. Extraordinary hours: April 22 9.30am-10.30pm; 1 May 9.30-19.30. Information: www.mostraantonello.it and www.palazzorealemilano.it.
Where to sleep in Milan
Hotel in tourist areas
How to get to Milan by plane
Airports near Milan: Airport Milan Bergamo (BGY), Airport of Milan Linate (LIN), Airport of Milan Malpensa (MXP).
Edited by Nicolò Villa
Source and photos: Exhibition Press Office
Visual e photo of Milan: © Sisterscom.com, Shutterstock
All rights reserved. Copyright © Sisterscom.com
Search a flight
You might be interested in
Ireland: Spine-tingling festivals in the home of Halloween, this year also online
As the land of ancient Celtic traditions, the island of Ireland is a bewitching destination at Halloween time
Earth Day 2020
The 50th Anniversary of Earth: a global community united in our fight to protect the health and welfare of the planet and its people
Best cultural happenings around Venice for 2020
Art exhibitions in museums, concerts and opera at the Theater, the Architecture Biennale and unmissable events and festivals
AVION TOURISM MAGAZINE
in digital version
Italian's art cities. On this issue we recommend you: Venice, Bergamo, Milan, Turin, Florence, Pisa, Rome, Naples, Palermo and Catania. Discover the destinations directly on the website of the magazine.